How Anil Kapoor became a national hero and a traitor in Hindi film Pukar

santoshi's classicalism (a belief in the basic building blocks of classic hindi popular film, a faith in wide-screen staging, a spare use of the cut within a scene) is often at odds with his best moments, which raise the pitch of action or melodrama to the point of excess or abstraction. there's nothing here to rival the focus of dhamini or ghayal, but it does find a certain grandeur in madhuri's tear stained church confession. and joy to see some of this choreography, and om puri as an action hero, even if just for a moment.

hindi film pukar anil kapoor

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